How Folktales Unsettle Us Into Thinking Anew

by Abigail Tulenko in Aeon Magazine: The Hungarian folktale Pretty Maid Ibronka terrified and tantalised me as a child. In the story, the young Ibronka must tie herself to the devil with string in order to discover important truths. These days, as a PhD student in philosophy, I sometimes worry I’ve done the same. I still believe in philosophy’s capacity to seek truth, but I’m conscious that I’ve tethered myself to an academic heritage plagued by formidable demons.

The demons of academic philosophy come in familiar guises: exclusivity, hegemony and investment in the myth of individual genius. As the ethicist Jill Hernandez notes, philosophy has been slower to change than many of its sister disciplines in the humanities: ‘It may be a surprise to many … given that theology and, certainly, religious studies tend to be inclusive, but philosophy is mostly resistant toward including diverse voices.’ Simultaneously, philosophy has grown increasingly specialised due to the pressures of professionalisation. Academics zero in on narrower and narrower topics in order to establish unique niches and, in the process, what was once a discipline that sought answers to humanity’s most fundamental questions becomes a jargon-riddled puzzle for a narrow group of insiders.

In recent years, ‘canon-expansion’ has been a hot-button topic, as philosophers increasingly find the exclusivity of the field antithetical to its universal aspirations. As Jay Garfield remarks, it is as irrational ‘to ignore everything not written in the Eurosphere’ as it would be to ‘only read philosophy published on Tuesdays.’ And yet, academic philosophy largely has done just that. It is only in the past few decades that the mainstream has begun to engage seriously with the work of women and non-Western thinkers. Often, this endeavour involves looking beyond the confines of what, historically, has been called ‘philosophy’.

Expanding the canon generally isn’t so simple as resurfacing a ‘standard’ philosophical treatise in the style of white male contemporaries that happens to have been written by someone outside this demographic. Sometimes this does happen, as in the case of Margaret Cavendish (1623-73) whose work has attracted increased recognition in recent years. But Cavendish was the Duchess of Newcastle, a royalist whose political theory criticises social mobility as a threat to social order. She had access to instruction that was highly unusual for women outside her background, which lends her work a ‘standard’ style and structure. To find voices beyond this elite, we often have to look beyond this style and structure.

Texts formerly classified as squarely theological have been among the first to attract significant renewed interest. Female Catholic writers such as Teresa of Ávila or Sor Juana Inés de la Cruz, whose work had been largely ignored outside theological circles, are now being re-examined through a philosophical lens. Likewise, philosophy departments are gradually including more work by Buddhist philosophers such as Dignāga and Ratnakīrti, whose epistemological contributions have been of especial recent interest. Such thinkers may now sit on syllabi alongside Augustine or Aquinas who, despite their theological bent, have long been considered ‘worthy’ of philosophical engagement.

On the topic of ‘worthiness’, I am wary of using the term ‘philosophy’ as an honorific. It is crucial that our interest in expanding the canon does not involve the implication that the ‘philosophical’ confers a degree of rigour over the theological, literary, etc. To do so would be to engage in a myopic and uninteresting debate over academic borders. My motivating question is not what the label of ‘philosophy’ can confer upon these texts, but what these texts can bring to philosophy. If philosophy seeks insight into the nature of such universal topics as reality, morality, art and knowledge, it must seek input from those beyond a narrow few. Engaging with theology is a great start, but these authors still largely represent an elite literate demographic, and raise many of the same concerns regarding a hegemonic, exclusive and individualistic bent.

As Hernandez quips: ‘[W]e know white, Western men have not cornered the market on deeply human, philosophical questions.’ And furthermore, ‘we also know, prudentially, that philosophy as a discipline needs to (and must) undergo significant navel-gazing to survive … in an ever-increasingly difficult time for homogenous, exclusive academic disciplines.’ In light of our aforementioned demons, it appears that philosophy is in urgent need of an exorcism.

I propose that one avenue forward is to travel backward into childhood – to stories like Ibronka’s. Folklore is an overlooked repository of philosophical thinking from voices outside the traditional canon. As such, it provides a model for new approaches that are directly responsive to the problems facing academic philosophy today. If, like Ibronka, we find ourselves tied to the devil, one way to disentangle ourselves may be to spin a tale.

Folklore originated and developed orally. It has long flourished beyond the elite, largely male, literate classes. Anyone with a story to tell and a friend, child or grandchild to listen, can originate a folktale. At the risk of stating the obvious, the ‘folk’ are the heart of folklore. Women, in particular, have historically been folklore’s primary originators and preservers. In From the Beast to the Blonde (1995), the historian Marina Warner writes that ‘the predominant pattern reveals older women of a lower status handing on the material to younger people’.

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